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That one guy who told me my art was 'too clean' at a gallery opening
I was at a small digital art show in Portland last summer, just standing near my print trying not to look awkward. This older dude in a wrinkled denim jacket walks up, stares at it for a solid 30 seconds, then goes 'this is technically perfect but it has no soul, it's too clean.' I asked him what he meant and he said digital artists rely on undo buttons and layers instead of making actual decisions. He pointed at a small smudge near the edge of another artist's piece and said that's where the feeling lives. I still think about that sometimes when I'm editing. Has anyone else had a random stranger completely shake how you see your own work?
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terryr461mo agoMost Upvoted
That whole exchange kind of mirrors this weird obsession we have with visible effort (you know, like how people prefer handwritten notes over typed ones even if the typed one is cleaner). We romanticize mistakes and rough edges in everything from art to furniture to relationships, as if imperfection automatically equals authenticity. But here's the thing, a lot of that "soul" he was talking about is just nostalgia for a slower, messier way of making things that digital tools have replaced. It's like how we miss the scratch and pop of vinyl records but nobody actually wants to go back to skipping CDs and rewinding tapes. That smudge he pointed at? It could just as easily be an accident that the artist hated but couldn't fix, not some deep artistic statement.
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wadea531mo ago
That's a good question though @terryr46, is the smudge something you actually like or is it just that you've been told it's meaningful? In my experience, half the time those happy accidents were just mistakes the creator couldn't afford to fix.
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